“Mujer Voladora” paper maché sculpture by Sergio Bustamante. Translates to Flying Lady. This is signed and numbered: “Sergio Bustamante 10/100 ©”. It is in mint condition with no visible marks, scratches or blemishes.  There are a couple if tiny marks on the bottom of the integrated stand where it has been sitting on a table. The painting is exquisite with lots of thin brush strokes and amazing detail.

“The Politicians” bronze sculpture by Christopher Keene. The politicians are made up of two hippos, an alligator and another spiny reptile – typical politicians! Very intricate and detailed bronze work from the lost wax manufacturing process. Signed in the flagstone floor, “Keene ’78″ and is 1/10 (one of ten).

Six Russian paper maché lacquer boxes. Selling as a set. Start your collection quickly. Two of these boxes are on eBay for $495 each! 1. “Forest with Bears” – 6″ L x 4.25″ W x 2″ H. Hinged lid. Have purchase COA. 2. Winter Scene Sleigh and Horses” – 6″ L x 4.25″ W x 2″ H. Hinged lid. Have purchase COA and gift card. 3. “Three Russian Churches” – 6″ L x 2″ W x 1.25″ H. Separate lid. Have purchase COA. 4. “Russian Cathedral – Three Spires” – Round 3.25″ Dia. x 1″ H. Separate lid. 5. “Moscow” – 3.25″ L x 1.35″ W x 1.25″ H. Separate lid. Have purchase COA. 6. “Two Cranes” – 2.75″ L x 1.9″ W x 1.25″ H. Hinged lid. – cracked finish on lid. All boxes are in overall great condition. Some minor scratching and wear on the bottoms. Mostly near perfect other than the one mentioned. All boxes are signed by the artists.

“Gloucester” England. Watercolour by François Gall 1912-1987. Down at the English waterfront on the River Severn on a blustery day at Gloucester. Signed: “F. Gall Gloucester” lower left in his typical red paint. This is a large, rare, unique painting by the post-impressionist master, François Gall. Frame is contemporary gold with matt and inner painted fillet. Excellent condition.

This is a beaded ceremonial mask made in Ghana. Label affixed. The bead work is quite intricate and the end result is pleasing, indeed. Gold, metal appliqués for the nose and forehead are affixed to this deciduous wood mask. Excellent condition. $175. 12″ Dia. x 3.5″ D. Wt: 2 lb. 1 kg.

This is a decorative mask that is used as a wall hanging. It is carved from hardwood and stained dark brown with some ochre coloured highlights. The warrior stands strong with his many wives displayed on his head gear – in this case six. probably 30-40 years old. C. 1970. Could be older. Very good condition.

Fabulous African Rasta mask that’s approximately 50-75 years old. Hardwood and hemp. The hemp is braided, woven tied and knotted into dread knot . Very thick hair and full beard with multiple layers. Stained dark brown with wear showing lighter brown. Extraordinary work. Excellent condition. Wear it to work!

This is a decorative mask that is a lot of fun and is well created. I think it is acrylic on softwood. Black background with coloured dots of paint in the rough, modern,  pointillism style. Some pinstripe brushwork as well C. 1980. Could be older. Very good condition.

A hand carved, ceremonial hardwood mask from the Ivory Coast.  Painstakingly hollowed out to quite a smooth interior finish. The mask is rather small leading me to believe that this was made for a woman. Quite a lot of detail with a protruding, horned  high-piece. Various holes in the circumference allow it to be tied to various sized people. Definitely an antique. Early last century or previous. Excellent condition with one minor repair. No signature visible.

“The Storyteller”. Spectacular watercolour by Ettore Ascenzi. On paper laid on paperboard. Amazing detail with all eyes trained on the storyteller.  Signed lower right “E. Ascenzi 1892 Roma”. Framed with gold leaf and inner gold fillet. Superb  condition.

Beautiful Art Deco frosted and molded Crystal Vase, “Thistle” pattern. Signed Verlys – circa 1920 – made in USA. Stunning under lights with long stem roses! Heavy lead crystal makes for the “perfect” centerpiece vase for the best-dressed of tables! Thick yet clear rounded panels are separated by relief-molded thistle blossoms in frosted accent. Sterling silver foot in perfect condition. The vase is in excellent condition – no chips, cracks or cloudiness. A couple of very minor surface imperfections. Great lustre.

Fille avec au Parapluie Noir sur la Pont Neuf, Paris. Girl with black umbrella on the Pont Neuf Bridge, Paris. Oil on canvas by François Gall. An elegant woman on a bridge over the river Seine. The painting is difficult to shoot.  It’s more subdued and a bit darker than most. Gall was obviously trying to capture the cloudy, rainy day, hence the umbrella and the shadows on her face. The canvas is not in perfect shape – some crazing and slightly loose on the stretcher. Thin paint, tiny canvas buckle upper centre, a bit dirty and unvarnished. However, it’s a wonderful Gall that is so “Paris” in the period of the 1950s. I have a letter from his daughter, Marie-Lise Gall explaining the painting and dating it 1950. Frame is painted carved wood with motley painted texture that shows wear but still quite serviceable. The inner frame is missing some paint. I’ve tried my best to photograph it as it looks.

An Artist’s Proof bronze, “The Hand” with black patina. Attributed to Fernando Botero. Signed and numbered: “E/A Botero 6/12″ with the foundry mark just above his signature: “Fondoria M Italy”. Purchased from a dealer in Columbia and brought to Canada in 2002. The piece speaks of Botero’s creativity that shows the strength and power of the human being. A fine example of his work that shows subtly and grace created from the lost wax technique in bronze from a foundry. Remarkable work in excellent condition. No COA or paperwork.

Woman Reading (1). Fred Ross R.C.A. Original mixed media on artist’s paper. This is a sketch to be used in a larger, masterwork called “Woman Reading” – rough full-size attached. Excellent Condition. $2,900. Framed with modern shiny metal finish with plexiglass. Frame size: 26.5″ W x 21″ H. Wt: 3lb.  1.4 kg.

The Hitch-Hiker. Mixed media, egg tempura on masonite board by Fred Ross, C.M., LL.D., R.C.A., one of Canada’s leading figurative painters. The model for this painting in Fred’s son Christopher who came into the studio one day and put on the overcoat and the top hat which Fred interpreted into this painting. C. 1975. Signed “Fred Ross” upper right. Framed in wood with a greyish, specked finish. Inner fillet painted white. Excellent condition.